News & Grants - College of Arms
A grant of Arms, Crest and Badge (illustrated right) was made to ST EDWARD’S SCHOOL, in Oxford, by Letters Patent of Garter, Clarenceux and Norroy and Ulster Kings of Arms dated 5 December 2017. The Patent recites in brief the history of the foundation, from its establishment in 1863. The blazon is as follows:
Arms: Azure a Cross flory between four Ancient Crowns impaling Per fess Sable and Or a Pale counterchanged in the Or an Ermine Spot Sable and in the Sable a Trefoil slipped Or the whole within a Bordure also Or.
Crest: Upon a Helm with a Wreath Argent and Azure Issuant from a Cup Or a Dagger erect point downwards Argent hilt and pommel Or.
Badge (not illustrated): Issuant from a Cup Or a Dagger erect downwards Argent hilt and pommel Or.
College reference: Grants 181/40.
College of Arms Ms A17 is believed to have been created by Thomas Benolt, Clarenceux King of Arms, who died in 1534. He bequeathed it and other manuscripts to his successors as Clarenceux; and it was probably part of the library of the College of Arms by 1618. As well as fascinating early material relating to London, the volume includes a number of pages of painted standards and shields of Arms of noblemen, knights and gentlemen, dating from circa 1513.
The page illustrated shows standards and Arms for Ingelfelde (perhaps for Sir Thomas Ingelfelde or Englefield of Berkshire); Sir Richard Chaundlay; and Master Appellyarde (Sir Nicholas Appleyard was knighted at the Battle of Flodden on 9 September 1513). In each case the standard bears the Cross of St George next to the hoist, with the fly bearing Crests and Badges.
Shakespeare Documents
19 January 2018Shakespeare Documentary Heritage recognised by UNESCO’s International Memory of the World Programme
The UNESCO International Memory of the World programme has recognised the immense significance to world culture of the ‘Shakespeare Documents’ – the key archival sources for William Shakespeare’s biography. This material now has equivalent status in the documentary sphere as the pyramids have for the world’s built heritage.
The successful nomination was led by the Shakespeare Birthplace Trust in partnership with The National Archives, Worcestershire Archives and Archaeology Service, the College of Arms, the British Library and London Metropolitan Archives in the UK, and the Folger Shakespeare Library in Washington, D.C, USA. Together these specialist archive and library repositories care for the precious ‘Shakespeare Documents’.
Their inclusion on the International Memory of the World register recognises the universal cultural and historical value of 90 documents relating to Shakespeare’s baptism, burial, family matters, property records, legal actions and business dealings.
Dr Lynsey Darby of the College of Arms said, “Our archives have for centuries preserved official records of grants and confirmations of coats of arms, as well as records of genealogy and state ceremonial. Among the treasures of this archive are records of the grant of arms made to William Shakespeare’s father John of Stratford upon Avon in 1596. This application for a coat of arms on his father’s behalf shows the value the playwright placed on a visible symbol of his family’s gentry status, and the importance of having this status confirmed by the heralds of the College of Arms. We are delighted that these and other vital Shakespeare documents have been granted this special recognition of their significance.”
An Evening with John Blanke
10 November 2017An Evening with John Blanke at the College of Arms
John Blanke Project
Friday, 1 December 2017 from 18:30 to 20:30 (GMT)
London, United Kingdom
Through the imaginations of artists, poets, historians and musicians, spend an evening celebrating the life of John Blanke, the black trumpeter to the courts of Henry VII and Henry VIII. John Blanke is the first person of African descent for whom we have both an image and a record.
John Blanke’s image appears twice in the 1511 Westminster Tournament Roll in the College of Arms collection. He is noted in the courts accounts of the day as having being paid wages; other records have him successfully petitioning Henry VIII for a wage increase and receiving a gift from the king. These records are held in the National Archives at Kew.
The John Blanke Project is a work in progress which celebrates the life of John Blanke through a variety of media and art forms – writing, drawing, poetry, music, plays. There have to date been over 50 individual contributions
This Symposium is an opportunity to hear about John Blanke and how he has inspired the John Blanke artists' imaginations to make their individual contributions to the project. It will be held at the College of Arms, Queen Victoria Street, London EC4V 4BT.
Tickets for the event can be obtained here.
Standard Ticket: £9.08
Concessions Over 60, students, unwaged: £5.90
Under 16s Free
Ticket price includes booking fee
Nelson's Chelengk: A new book on the history of the Chelengk presented to Horatio Nelson by Sultan Selim III after the Battle of the Nile in 1798, was published in October 2017. In Nelson's Lost Jewel, the author Martyn Downer describes the story of the exotic diamond jewel: its presentation to Nelson; the admiral's embellishment of it to make it more impressive; its use among his brother’s descendants as a brooch; its sale at auction in 1895; and its theft from the National Maritime Museum in 1951. An important watercolour painting of the lost Chelengk, recently discovered at the College of Arms and illustrated left, has shed much light on the form it took in Nelson’s lifetime. A replica has been made carefully based on the College’s painting. This uses appropriate diamonds cut in the 18th century or earlier and has been put on display to the public at the National Museum of the Royal Navy at Portsmouth.